¡Viva La Vida!

arkaimcity:

The Extinction Of The Australian Pygmies

Why have they been forgotten? Because their existence was politically inconvenient for leftist activists who wanted to put forth a santized notion of Aboriginal inhabitants who discovered the land and never displaced one another. Or so goes the thesis put forth here: http://www.sydneyline.com/Pygmies%20Extinction.htm


Excerpts from the summary:

-Moreover, the moral appeal of the activists’ case would have been weakened by the notion that there had been several waves of Aboriginal migrants, each of whom had violently dispossessed the other. Rather than a story of aggressive white imperialists disrupting an arcadian Aboriginal people living in harmony with one another and their environment, the long term history of Australian habitation would have resembled more that of humanity at large where the stronger have pushed aside the weaker, irrespective of the colour of either side. Hence, instead of a simple moral tale of goodies and baddies, the history of this continent would have reflected more the hard reality of the human condition everywhere.

-For the past thirty years, there have been few in mainstream political or intellectual life with the stomach to make these points. As a result, the activists’ case about Aboriginal origins has been accepted, largely without dissent. Few authors, and certainly none writing for schoolchildren, have dared to even suggest that Aborigines had anything but one common source. This is why today the educated but non-specialist public has no inkling that there were ever pygmies in Australia. Knowledge of their existence would pose an obvious question mark over the central doctrine of Aboriginal politics.Hence, for public consumption, politics have made the topic taboo.

(via buffalo-divine-eden-no7)

Sus labios y los míos fueron perdiendo timidez. Eran ya largos besos y hondos suspiros en que cabía todo el universo. Eran silencios prolongados que decían más que ninguna palabra.

—(via thecureforthepain)

Yo quiero esto.

(via besoconsal)

criminalwisdom:

HYSTERICAL LITERATURE: THE ORGASM AS ART (NSFW) »
In his latest project, Hysterical Literature, photographer Clayton Cubbitt takes a beautiful woman, places her at a table in front of a black backdrop and gets her to read from her favorite book while an unseen accomplice below the table attempts to bring the woman to orgasm with a vibrator. The results are an intimate, sexy experience that captures a beauty rarely found in most modern pornography.

This is brilliant!

fotojournalismus:

How A Female Photographer Sees Her Afghanistan

Born in Kandahar, Afghanistan, in 1984, photographer Farzana Wahidy was only a teenager when the Taliban took over the country in 1996. At age 13 she was beaten in the street for not wearing a burqa, she recalls, and she describes those years as a “very closed, very dark time.” To carry a camera would have been unthinkable.

And yet, she says, “I felt lucky compared to other women at that time.” Women were banned from continuing their education during Taliban rule. But some, like Farzana, found ways to keep studying. She would carry books under her burqa and attended what she calls an “underground school” with about 300 other students in a residential area of Kabul.

When U.S.-led forces ended Taliban rule in 2001, Wahidy was able to attend high school. A friend encouraged her to apply for a photojournalism program, knowing that she had hopes of sharing her experiences with the world.

“Day by day, as I started learning about photography, I fell more in love with it,” she says. “There was a huge need for women photographers in Afghanistan.”

Wahidy became the first Afghan female photographer to work for the AFP and later AP, two leading wire agencies, and eventually received a scholarship to continue studies in a photojournalism program in Canada. In 2010, Wahidy returned home to Afghanistan.

“I try to show the bigger image, not just show we have problems,” she says. “And we do have a lot of problems, but I do want to show normal daily life.”

Wahidy focuses on women. “This subject was important to me because I am a woman,” she says, recognizing an advantage that gives her. When she wants to document their lives, “it’s easier for a woman to get access,” she says.

Her photos of daily life range from men selling balloons on the streets to the secret lives of female prostitutes. And Wahidy was not the only one to recognize the need for this type of photography in Afghanistan. She is now part of the recently created Afghan Photography Network.

“Many Afghan photographers are not well-connected,” she explains. “We hope it will create a better connection and show Afghanistan by Afghan photographers.”

It is a young website, still in development, but the Afghan Photography Network is already bringing increased visibility to the work of Afghan photographers.

Of the eight women in her original photojournalism program, Wahidy is the only one working as a full-time photographer. Some got married, and others stopped working for reasons unknown to Wahidy. Wahidy, meanwhile, plans to continue for a very long time.

“When I shoot and I get a good photo,” she says, “that is a beautiful day.”

(via the-wiss)